Above: Dahisar river inside SGNP Photo Aslam Saiyad
Guest Blog by Aslam Saiyad
While documenting the work of the River March organisation[i], whose goal was to rejuvenate Mumbai’s rivers, I came across Adivasi communities who lived inside the Sanjay Gandhi National Park (SGNP). I noticed some children standing in school uniforms a few kilometers inside the park. They were getting ready to go to a school which was 7km away. And it surprised me because people living in one of the world’s richest municipalities didn’t have a basic mode of transportation to go to school. Read More
Above: Mithi River at Bandra-Kurla Complex; Photo by Nidhi Jamwal
Guest blog by Nidhi Jamwal
The four rivers of Mumbai —- Mithi, Oshiwara, Dahisar and Poisar —- now have an anthem of their own. Released recently by T-Series and Leelaa, the music video, “Mumbai River Anthem”, has already created uproar in the state Assembly, as it features the state chief minister (CM), Devendra Fadnavis; the state finance minister, Sudhir Mungantiwar; Mumbai civic commissioner, Ajoy Mehta; and the city police commissioner, Datta Padsalgikar lip-syncing and striking poses to urge Mumbaikars to come together to save the rivers. The anthem also features Amruta Fadnavis, wife of the chief minster, who, along with Sonu Nigam, a playback singer, has sung the song. While celebration of rivers is welcome, when not accompanied by necessary actions to improve the pathetic state of Mumbai’s rivers, it sounds like hypocrisy. Read More
In an effort to assess the situation of Rivers in 2017, SANDRP is presenting the compilation of key rivers related development in the country. The first part of this Rivers Review 2017 includes Northern States including Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh, Uttarakhand, Uttar Pradesh and Delhi. The following parts will present separate accounts for Rivers in North East, West, East and South Zones. There will also be separate review reports on Ganga & Yamuna rivers.
In this comprehensive article Mumbai-based author Vaishnavi Chandrashekhar throws the light on the plight of Uraban Rivers. “Rivers and streams have borne the brunt of the recent urban explosion in India, a nation whose population has nearly doubled in the last 40 years to 1.35 billion. Unplanned growth has led to the use of water bodies as dumping grounds for sewage and industrial effluent. According to CPCB, 63 % of the urban sewage flowing into rivers (some 62 billion liters a day) is untreated.
In addition, riverbanks, wetlands, and floodplains have been claimed over time by infrastructure, slums, offices, and housing developments – all of which has narrowed natural river channels and distorted flow, greatly reducing the ability of India’s rivers to buffer flooding. It also has taken a toll on biodiversity. http://e360.yale.edu/features/dying-waters-india-struggles-to-clean-up-its-polluted-urban-rivers (Yale Environment 360, 15 Feb. 2018)
Finally, after five days gridlock, the Jammu-Srinagar National Highway (NH-1A) has been opened to traffic, on Feb 17, 2018, but only for one side. The all weather road was closed since February 12, 2018 following landslides at multiple locations along Bichleri (Bichiari) stream (a tributary of Chenab River) between Banihal and Ramban area. The highway was briefly re-opened for traffic on February 14 only to be closed again on February 15, due to recurring landslides.
We have narrated below some details of the landslides along Jammu Srinagar Highway in Feb 2018 as well as earlier since 2011.
Above: Sindhu by Anoop Patnaik, Outlook Traveller
“To choose safe waters
is the route of imposters:
Those who love
take on the mighty river.” (Seeking the Beloved, translations of Shah Abdul Latif Bhitai’s Poems)
In the inky, starless night, beautiful Sohni plunged into the flooded River Chenab to meet her beloved Mehwal, knowing well that she will never make it to the other side. Sohni is one of the seven heroines brought to life by Shah Abdul Latif Bhitai, a remarkable 18th Century Sufi poet, mystic and reformist living on the banks of Indus. Sohni was the wife of a potter, in love with Mahiwal, a cattle herder from the banks of the Chenab. Like all poignant love stories, Sohni-Mahiwal’s tale was short-lived, but 300 years later, the legend of Sohni flows through the Chenab and lives on in the songs of peasants. In Punjab, the land of five rivers, they sing of Sohni, of the roaring, helpless river and of mad, wilful love. The narrative is so unwrinkled and dewy that till this day, silent figures sweep the modest tombs of Sohni and Mahiwal, hoping that their love will meet a better fate. Like Sur Sohni (Sohni’s poem) from Shah jo Risalo (Poetry of the Shah) prophecised:
“Hundreds were by the river drowned,
But the river was drowned by this maiden.” Read More